Premiere of the film and material unearthed in the archive of the Harun Farocki Institute will be shown beforehand.
Tag: public screening
Wild's first longer film is set between the fronts of the 1980s revolution in the Philippines (...).
The film diverges from traditional ethnographic work and is instead a multi-layered media translation (...).
The film portrays the four wives of a marabout in Niger, enclosed in the eponymous courtyard of a building complex. They manage to develop micro-economic strategies to form relationships with the exterior world.
A screening with Ali Hussein Al Adawy, the third Harun Farocki residency scholarship holder.
The film combines enacted scenes and historical material and is about the past and present of Levantkade in Amsterdam’s old harbor (...)
A film about the legal process against the ‚Plowshares Eight‘, eight members of the Christian peace movement in US, who hammered a nuclear warhead to pieces at a weapon’s factory.
Nightshift explored the work of women in relation to politics, film, desire, and society.
The titles of Norman's films all hint at the struggle to assert an Afro-American identity in a world shaped by whites.
Logik des Gefühls: What happens? Nothing much. […] Where is it set? In an in-between space, between lost love and a coming love. Winter. Berlin. 1981.
Political commitment, thirst for research and stamina. A film by Ogawa Productions.
Factories and families as places of exploitation, which don’t just have to be interpreted but also changed.
A mythological road movie, a squatter and hacker story.
Harun Farocki saw the film in 1971 at the Hamburger Filmschau. In the succeeding years, he worked closely with Engström.